An old bent man paused from his work and watched them. “Lean more over him, missie,” he advised her. “That’s the way. Many a mile I’ve carried my lass like that, in flood time; and never felt her weight.” She would not let him light the gas. “I have dined—in the train,” she explained. “Let us talk by the firelight.”!

In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “Why is the Press always so eager for war?” mused Joan. “According to their own account, war doesn’t pay them.”

“You don’t mean a party?” asked Joan. Man had heard God’s voice across the deep, and had made answer. The secretary, at a sign from Miss Tolley, made a memorandum of it.